Exhibiting artists:<\/p>\n\n\n\n
Asztalos Zsolt, Aurel Ciupe, Balla J\u00f3zsef, Barab\u00e1s Istv\u00e1n, Bar\u00e1th F\u00e1bi\u00e1n, Cristian Opris, D\u00f3r\u00f3 S\u00e1ndor, Elekes K\u00e1roly, \u00c9ltes Barna, Er\u0151ss Istv\u00e1n, Ferencz S. Apor, Filip Gajewski, Georghe Olariu, Herman Levente, Horv\u00e1th J\u00e1nos, Horv\u00e1th Levente, Ionel Mihai, Keller Korn\u00e9lia, Koroknai Zsolt, Kov\u00e1cs Kinga, Kusztos Endre, Lipkovics P\u00e9ter, M\u00e1rton \u00c1rp\u00e1d, Mehdi Godini, Mikl\u00f3s Hajnal, \u0150ry Annam\u00e1ria, P\u00e1l P\u00e9ter, Pet\u0151 Hunor, Plugor S\u00e1ndor, Pokorny Attila, Polg\u00e1r Botond, Posta M\u00e1t\u00e9, Scarlione Maria, Sikl\u00f3di Zsolt, Simon Endre, S\u00f6v\u00e9r Elek, Szab\u00f3 \u00c1bel, Tasn\u00e1di J\u00f3zsef, \u00dct\u0151 Guszt\u00e1v, Vass S\u00e1ndor, Zsombori B\u00e9la<\/p>\n\n\n\n
The style of paintings in the early collection of the L\u0103zarea Cultural and Art Centre was inspired by the spirit of the Nagyb\u00e1nya heritage. Apart from the fact that artists of the Nagyb\u00e1nya Colony had also worked in L\u0103zarea, most commentators point to the fact that the environment was a natural source of inspiration for this trend: “…close to the spirit of Nagyb\u00e1nya, the surroundings of the village provided the basis for the colours and forms of the artists working here (\u2026) Landscape as a genre was the obvious choice of expression.” For the artists in L\u0103zarea, the fascination with nature remained constant, while the creative process was expanded with new genres and new forms of expression, as can be observed in the contemporary approach of the T\u00fals\u00f3 P’Art group and later of the participants of the KORK\u00c9P art camp. “The camp, named KORK\u00c9P, was characterised by modern creative work without genre constraints, and in a sense it was just as closely connected to the local community and the environment of L\u0103zarea as its predecessors.” At the same time, the spirit of the place, the fascination with nature that is eternal, remains a reference point for the artists who have recently participated in the camps. According to the above, the material of the exhibition selected from the L\u0103zarea collection draws equally and simultaneously on the retrospective and contemporary identities of the works, based on the paradox of the relativity of simultaneity.<\/p>\n\n\n\n
photos by Erika Szab\u00f3 <\/p>\n\n\n